Tiny planet computer gloucester ma6/10/2023 Nia is a Canadian-born actor, writer, and director for both film and stage. Previous credits include: Boston in 10 (Fresh Ink Theatre) Dream Boston (Huntington Theatre Company). Adrian studied BFA Theatre Performance at Salem State University. Nael is a resident acting company member with Actors’ Shakespeare Project and a monologue coach with My College Audition.Īdrian Peguero (Letter Writer #3) (he/him/his) is incredibly excited and humbled to be making his Gloucester Stage debut. Burns, a Post-Electric Play, Intimate Apparel (Elliot Norton Award, Lyric Stage), 45 Plays for 45 Presidents, It’s a Wonderful Life: A Live Radio Play (Merrimack Rep) A Number, Lungs, The Kite Runner (New Repertory Theatre) Rhinoceros (Boston Playwrights’ Theatre), and Shear Madness (Charles Playhouse). Other credits include: The Merchant of Venice, Macbeth, Equivocation (Actors’ Shakespeare Project) Romeo and Juliet, A Doll’s House, Bedroom Farce (IRNE Award), Come Back, Little Sheba, Awake and Sing!, The Seagull and Our Town (IRNE Award, Huntington Theatre) The Return (Israeli Stage, Elliot Norton Award) ChekhovOS, The Seagull (Arlekin Players) Small Mouth Sounds, A Future Perfect, Tribes (SpeakEasy Stage) Calendar Girls (Greater Boston Stage Company) Constellations (Central Square Theatre) Mr. Nael Nacer* (Letter Writer #1) was previously seen at Gloucester Stage Company in True West, Bank Job, and The Flick (IRNE Award). Most recently (pre-pandemic!), Kelly was seen in Bright Half Life (Actors’ Shakespeare Project). Favorite credits include The Good Person of Setzuan (Fort Point Theatre Channel), The Edge of Peace (Central Square Theatre), and the world premieres of Three (Boston Public Works), Dark Room (Bridge Rep Theatre), and Parlor Tricks (Fresh Fruit Festival). You can follow her on instagram Chick (Letter Writer #2) is a New York based actor and a graduate of the BFA Acting program at Emerson College. You can find her previous credits on IMDb. Celeste is a proud member of Actors Equity and the Screen Actors Guild. Look for her in the upcoming Adam McKay film Don’t Look Up with Jennifer Lawrence, her first horror film Black Friday with Ivana Baquero (Pan’s Labyrinth), the soon to be released Mattson Tomlin SciFi film Mother/Android with Chloe Grace Moretz and on LifeTime TV’s forthcoming Switched Before Birth. Recently she guest starred in CBS’ Bull, appeared opposite Rosamund Pike in I Care A Lot, and in the haunting Sam Raimi thriller The Unholy. Celeste has won awards for her roles in Ch’Inglish, Grounded, Small Mouth Sounds, and Arcadia. A role she later reprised for the off-Broadway production. She has appeared on many other stages around New England including the Huntington Theater, Merrimack Repertory Theater, The Lyric Stage, The Nora Theater, SpeakEasyStage and in the long running Shear Madness as Barbara DeMarco. Ĭeleste Oliva* (Sugar) is making her Gloucester Stage debut. She is a certified yoga instructor, avid SoulCycle rider and is certified in single sword stage combat. Lyndsay is a member of the Actors’ Equity Association. TV and film credits include: Consumed (dir. Notable Acting Credits: Our Daughters, Like Pillars (Huntington Stage Company) Bright Half Life (Actors’ Shakespeare Project) Three Musketeers (Greater Boston Stage) Caroline, or Change (Moonbox Productions) Winter People (Boston Playwrights’ Theatre) Men On Boats (SpeakEasy) Barbecue (Lyric Stage) By the Way, Meet Vera Stark (Lyric Stage) and The Overwhelming (Company One). Prior to landing in Boston, Lyndsay taught theatre at Olympic High School in Charlotte, NC. Lyndsay has also directed for several new play festivals and staged readings during the course of her 14 years in Boston. Notable Directing Credits: Splash Hatch on the E Going Down (Nora Theatre Company/Central Square Theatre) Boston in Ten (Fresh Ink Theatre) The Beebo Brinker Chronicles (Footlight Club 7A Series) 99% Stone (The Theater Offensive) John and Jen (University of Florida). Lyndsay Allyn Cox is a Boston based professional actor and director.
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